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  <url>
    <loc>https://www.spokesart.com/editorial/american-alliance-of-museums-aam-conference-2024-takeaways-in-deai</loc>
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    <lastmod>2024-05-28</lastmod>
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      <image:title>Editorial - American Alliance of Museums (AAM) Conference: Emerging Practices in DEAI - Make it stand out</image:title>
      <image:caption>P-22, National Parks Service. Public Domain.</image:caption>
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      <image:title>Editorial - American Alliance of Museums (AAM) Conference: Emerging Practices in DEAI - Lastly, Dr. Gaila Sims took on the difficult topic of the “auction block” at Fredericksburg which was involved in the sale of enslaved individuals from 1847 until 1862. When petitions to remove this painful object from the downtown area was finally approved in 2020, it was relocated to the Fredericksburg Area Museum and an exhibition was dedicated to its history. Dr. Sims outlined the ways in which the emotional weight of the object was taken into account through the placement of a bench for reflection, public programs promoting transparency around its history, and a memorial at the former site.</image:title>
      <image:caption>Slave Auction Block in downtown Fredericksburg, Virginia. Oiginally posted to Flickr as Slave Auction Block, Fredericksburg, VA by Sarah Stierch, Creative Commons License.</image:caption>
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      <image:title>Editorial - American Alliance of Museums (AAM) Conference: Emerging Practices in DEAI - Make it stand out</image:title>
      <image:caption>Julie Buffalohead, The Noble Savage, 2022. Baltimore Museum of Art.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/a8e6c4df-c875-46fb-8faa-ca713d6e8e45/Screenshot+2024-05-27+at+10.40.31+PM.png</image:loc>
      <image:title>Editorial - American Alliance of Museums (AAM) Conference: Emerging Practices in DEAI - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716864177918-JOLU5ZO43VN6E19UCKE3/Screenshot+2024-05-27+at+10.42.29+PM.png</image:loc>
      <image:title>Editorial - American Alliance of Museums (AAM) Conference: Emerging Practices in DEAI - Video of various stitching samples of different hatching and density.</image:title>
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      <image:title>Editorial - American Alliance of Museums (AAM) Conference: Emerging Practices in DEAI - Video of a hand touching a orange stitched replica of a naval badge. It features four playing cards at the center shooting down lightning bolts, a stitched border, and star icons at the top</image:title>
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  <url>
    <loc>https://www.spokesart.com/editorial/music-for-mondays-latine-punk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-27</lastmod>
  </url>
  <url>
    <loc>https://www.spokesart.com/editorial/music-for-mondays-sun-ra-arkestra-and-afrodiasporic-futurism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/104242a6-bd30-46e7-b254-cd9c8d3c1740/Sun-Ra.jpeg</image:loc>
      <image:title>Editorial - Music for Mondays: Sun Ra Arkestra and AfroDiasporic Futurism - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.spokesart.com/editorial/moving-mountains-crossing-seas-motherhood-in-korean-diasporas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-27</lastmod>
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      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - Make it stand out</image:title>
      <image:caption>Aram Han Sifuentes, Younghye Han: My Mother's First Exhibition, installation view. Courtesy of Cultural Reproducers</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/4d02f54a-b745-46f0-8df7-dd04eb453c74/Seundja+Rhee_gallery+hyundai.jpg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - “The joy and happiness, the tragedies were buried in the depth of the ocean. I have arrived in Paris in peace. I have nothing with me. I do not know even a word of French. I have nothing. I am nobody. I am going to be reborn, reborn in foreign soil.” (MMCA, 2018)</image:title>
      <image:caption>From left: Rhee Seundja at Salon des Indépendants, 1956. At artist atelier in Ranelagh street, 1963. Courtesy of Gallery Hyundai.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1715292103036-7ZNMBO6VMK9XXQ7W0ENC/IMG_2716.jpeg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas</image:title>
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      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1715292110605-IW8Z73IQX55QNKQE9PSW/IMG_2718.jpeg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/be15ee16-58e4-4872-a32e-e99b1f780af1/c-AramHanSifuentes__17CitizenshipForAll_1703986110450.jpg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - Make it stand out</image:title>
      <image:caption>Aram Han Sifuentes’ nonggi project, photography by Bun Stout. Courtesy of CanvasRebel</image:caption>
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      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - Make it stand out</image:title>
      <image:caption>Jane Jin Kaisen, Halmang, 2023, Single channel film, 4K. Color / Stereo sound. © Jane Jin Kaisen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/9ff03df9-071b-49ea-910a-7b6f6da26d1f/Seundja+Rhee_The+Mother+I+Know.jpeg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - “I am a woman, a woman is a mother, and a mother is earth.” (MMCA, 2018)</image:title>
      <image:caption>Seundja Rhee, The Mother I Know, 1962, oil on canvas. Courtesy of the National Museum of Modern and Contemporary Art, Korea.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/36a1d0f4-8395-4211-a7a5-bc6411de745c/IMG_0377.jpg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/a0c22a7a-1edc-4ea7-95a9-4f2035cd2f00/IMG_2714.jpeg</image:loc>
      <image:title>Editorial - Moving Mountains, Crossing Seas: Motherhood in Korean Diasporas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.spokesart.com/editorial/state-of-the-diaspora-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/c9c046a6-f35e-42ac-bbe3-35cd45663740/43926137681_5672dcb2aa_c.jpg</image:loc>
      <image:title>Editorial - State of the (Diaspora) Arts - Make it stand out</image:title>
      <image:caption>Brendan Fernandes, Night Shift in Romancing the Anthropocene, Nuit Blanche Toronto 2013 (Curators: Ivan Jurakic and Crystal Mowry). Courtesy of The City of Toronto, shared under Creative Common License (CC BY-NC-SA 2.0)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/eaa5ab1e-67e4-4bcf-bcd1-a1a939550505/cerberus.png</image:loc>
      <image:title>Editorial - State of the (Diaspora) Arts - The exclusionary effect of jargon (or “art speak”) and academicism is exacerbated for people who speak ESL (English as Second Language);</image:title>
      <image:caption>The lack of practical training and standardized resources towards creative careers is exacerbated for people who are new to the U.S or one of its regions; Reliance on networking and collaboration is exacerbated for people who do not have established communities in the U.S with existing connections to contemporary art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/f0d04d60-bec2-43b2-a31b-5a7caf2ba5cb/Screenshot+2024-05-08+at+2.18.32+PM.png</image:loc>
      <image:title>Editorial - State of the (Diaspora) Arts - In major cities in the U.S, the number of immigrant artists have grown by 69% in New York (and not just because of the general increase in the population, as this was compared to a 30% increase in US-born artists); 32% in the last two decades in Los Angeles; a whopping 145% and 184% in Houston and Austin respectively; by more than double in Houston; and 38% in Miami since 2000 (Center for an Urban Future, 2020: 6).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/27c9aa9d-8b9d-42d0-aa1d-07a8dc4af0e0/Zeno_Dichotomy_Paradox.png</image:loc>
      <image:title>Editorial - State of the (Diaspora) Arts - Make it stand out</image:title>
      <image:caption>Zeno’s Paradox. Grandjean, Martin (2014), shared under the Creative Commons Attribution-Share Alike 4.0 International license.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/5883dc87-7276-4201-906d-a42b55bbc39e/east-harlem-play-street-101st-hurdles-featured-sm-820x550.jpg</image:loc>
      <image:title>Editorial - State of the (Diaspora) Arts - Make it stand out</image:title>
      <image:caption>Much Ado about Flushing – The Municipal Art Society of New York. Courtesy of Street Lab, shared under the Creative Commons License</image:caption>
    </image:image>
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  <url>
    <loc>https://www.spokesart.com/editorial/tag/Contemporary+Art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.spokesart.com/editorial/tag/Art+History</loc>
    <changefreq>monthly</changefreq>
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  </url>
  <url>
    <loc>https://www.spokesart.com/editorial/tag/Visual+Art</loc>
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  </url>
  <url>
    <loc>https://www.spokesart.com/editorial/tag/Music</loc>
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  <url>
    <loc>https://www.spokesart.com/editorial/tag/Editorial</loc>
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  <url>
    <loc>https://www.spokesart.com/artist-features</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-27</lastmod>
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  <url>
    <loc>https://www.spokesart.com/artist-features/park-karo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/cca9c61c-0590-4c16-bf00-b577e7067ae8/p4.jpg</image:loc>
      <image:title>Artist Features - Park Karo - In particular, I enjoy creating personal mythical images using the credibility of science and mathematics. I believe that the most important aspect of persuading people is to make what is known easily penetrable.</image:title>
      <image:caption>What is truth? Do facts and falsehoods rely on belief? What do we believe in? The importance we assign to these questions, too, may be a flaw of belief. Photo by Sylvie Tamar</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/6a36dbfc-5606-48cb-b68e-3e790bfb9bd2/%E1%84%80%E1%85%B5%E1%84%85%E1%85%A9%E1%86%A85.jpg</image:loc>
      <image:title>Artist Features - Park Karo - So, by destroying the original painting, I created my own funeral. I burned the original painting and left only the trace of the original painting (me) projected onto the plastic. I will display these as spaces arranged in frames.</image:title>
      <image:caption>The exhibition title, (ON-NO) RED, comes from the idea that life is when hemoglobin stays in the body, and death is when that hemoglobin disappears.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716493010046-EUXI98R5GR68CVUKMTGN/%E1%84%80%E1%85%B5%E1%84%85%E1%85%A9%E1%86%A84.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Handwritten notes in Korean on an ivory notepad. Multiple drawings of frames, and a drawing of what resembles a planter at the bottom right.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716493012509-PJD6IUN5HBOAHC7AQU0E/%E1%84%80%E1%85%B5%E1%84%85%E1%85%A9%E1%86%A83.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Handwritten construction diagram on a white background, but in digital format. It depicts three separate three-dimensional rectangular structures.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716493015694-6VKZFGGVKIS95Z6Y00V6/%E1%84%80%E1%85%B5%E1%84%85%E1%85%A9%E1%86%A82.jpg</image:loc>
      <image:title>Artist Features - Park Karo - A hand-drawn diagram of a rectangular structure with black paint on top panel and a body-shaped stain on the floor below. The diagram is juxtaposed on a photo of a gallery with white walls.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/f6ad9222-9a9e-4605-84db-f78822e827a8/p6+%E1%84%87%E1%85%A9%E1%86%A8%E1%84%89%E1%85%A1.jpeg</image:loc>
      <image:title>Artist Features - Park Karo - It's not so much the ambiguity that is important, but rather the idea that artists in the modern era function similarly to shamans.</image:title>
      <image:caption>Photo by Sylvie Tamar</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/500c071d-8f84-4a31-a186-ffaf4a1ff4e0/P2.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Make it stand out</image:title>
      <image:caption>Photo by Sylvie Tamar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/36f2dd84-ac46-42a5-9172-f6fc9259c064/p5.jpg</image:loc>
      <image:title>Artist Features - Park Karo - I reflect on the world of language that silent symbols convey.</image:title>
      <image:caption>While language can produce sound, symbols remain silent, conveying only marked images. I perceive this as the magic and mystery of symbols. We must consider what we perceive in the realm of images, the spiritual, representation, and materiality.  Photo by Sylvie Tamar</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716493402151-VZ9C8YQ98WA44QI4XO4Y/ONORED1.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Poster with exhibition title "(On-No) Red" at bottom left and location "Subtitled NYC" at top right. At the center is a diagram of rectangular layers and their shadow with letters R, E, D at the right</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716493413915-VFOAY0FRQ2SNFECIALQI/nnn+%E1%84%87%E1%85%A9%E1%86%A8%E1%84%89%E1%85%A1%E1%84%87%E1%85%A9%E1%86%AB.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Photo of a scarf that is white on one side and black on the other. The white side has the letter "X," an eye on a grid, and chains in black. The black side has die and the yin yang symbol in white</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716492703101-2UXDWJ64RVE2BWIS0NZW/p7.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Korean woman with long straight black hair and bangs wearing a black beret and white trench coat. She stands in front of an outdoor wall painted blue, yellow, and red.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/1716748031942-N68DNF53BK37E1PNCV4P/P3-2.jpeg</image:loc>
      <image:title>Artist Features - Park Karo - Korean woman with long straight black hair wearing a black beret and white trench coat. She stands in front of an outdoor wall painted blue, yellow, and red, reaching her hand out towards the camera.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/8f96f76d-de6d-46c2-a558-9ecc478aefff/%E1%84%80%E1%85%B5%E1%84%85%E1%85%A9%E1%86%A81.jpg</image:loc>
      <image:title>Artist Features - Park Karo - After finishing the painting and removing it from the wall, I saw stains left on the plastic from the ink that had seeped through the canvas cloth. Since these stains are also a residue of the painting, I wondered if this painting was one or two pieces.</image:title>
      <image:caption>It reminded me of the relationship between body and spirit. We are temporary projections, and the stains are the continuity of that projection.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6627d68ca9550059ec107b5e/e798a3bf-6bd1-46e0-ba32-efe1c0df1b46/p1.jpg</image:loc>
      <image:title>Artist Features - Park Karo - Make it stand out</image:title>
      <image:caption>Photo by Sylvie Tamar</image:caption>
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  <url>
    <loc>https://www.spokesart.com/artist-features/tag/Visual+Art</loc>
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  <url>
    <loc>https://www.spokesart.com/home</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2024-05-02</lastmod>
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